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Wave Corrector

Convert Vinyl Records and Tapes to CD & Digital Audio

Cassette Tape to CD Tutorial

Recording from Cassette, Filtering and Volume Optimisation

This tutorial is designed to be interactive. You will need to download a short demonstration file in order to practice the techniques described below.

At various points you will see a Try It Now symbol. Follow the instructions at these points to practice the techniques described.

 

 

Overview of Recording Tracks from Cassette Tape

Recording from tape cassette is very similar to recording from vinyl. The quick start guide, Getting Started with Wave Corrector describes how to connect your cassette deck to your PC and how to make a recording. Cassette tapes, typically have significant levels of background hiss when compared to vinyl records. For this reason, Wave Corrector incorporates a hiss filter to reduce the effect of this impairment.

When you select 'Tape' as your recording source, the hiss filter is applied by default. To avoid incorrect application of the hiss filter, it is important to keep to the guidelines in this tutorial.

The Hiss Filter

Wave Corrector's hiss filter uses the principle of noise subtraction. This works by measuring the noise during a quiet interval in the recording. In the quiet interval, there should be noise present but no music. From the measured characteristics of this interval, Wave Corrector generates a Noise Profile. The noise profile is used to construct a noise mask that is then subtracted from the entire file. For the technique to be effective, it is most important that the noise profile be as accurate as possible.

Wave Corrector automatically generates a noise profile whenever you load in an audio file. and this profile is used be default when you apply the hiss filter. To generate this profile, the program analyses the lead-in portion of the recording where background hiss is present but before the music has started.

Sometimes, this automatically generated profile is inaccurate. This can happen, for example, if the program is unable to accurately find the exact point where the music starts. In this case, the filtered result will be sub-optimal. It will either be over- or under- filtered.

Over filtering results in some of the music components being removed along with the hiss. This makes the music sound dull and can add a warbling effect to the quiet passages.

Under-filtering, in contrast, will leave behind some of the hiss.

Before saving your work, you should audition the quiet parts of your recording to ensure that the hiss filter has been applied successfully. If not, you can manually adjust the noise profile and re-filter the file.

To proceed with the tutorial, you will need the sample files demo2.ape and demo2a.ape. If you have not already done so, download the files at the following links: demo2.ape and demo2a.ape.

Right click on the link and select the option 'Save Target As...'

 

Exercise 1. Default Processing a Tape/Cassette File

Before opening the file, click on the Auto-Scan Options toolbar button :


Select ‘Tape’ as your ‘Source Recording’; and click on the ‘Restore Defaults’ button to ensure that the default scanning parameters are being used.


Click OK to confirm your options and then use the Open File toolbar button:

Select ‘Ape Files’ as the file type in the drop down list; and then select the file, demo2.ape that you downloaded.

The file will take a few seconds to load into the program and then the hiss filter will be applied. Try It Now

After loading the file, start it playing by pressing the Space Bar. (During playback, you can pause by pressing the Space Bar again.) Try It Now

To hear a section again, click in the Overview window over the point you want to jump back to. Alternatively, press the Backspace key to jump back 2 seconds. Try It Now

During playback, the Status Bar at the bottom of the screen carries the message, "Playing Corrected..."

If you click over this part of the Status Bar, the playback will toggle to "Playing Original..." Try It Now

By jumping back and toggling between original and corrected, you can verify whether the corrected wave is acceptable. Try It Now

 

Noise Profiles

As already mentioned, the hiss reduction filter use a technique known as ‘Noise Subtraction’. This technique takes a ‘snapshot’ of the unwanted noise that is to be removed. This snapshot is known as a ‘noise profile’ and it is used to generate a noise mask that is ‘subtracted’ from the entire file.

For the technique to be successful, it is very important that the noise profile consists of typical noise from the file. It must be taken from a quiet passage where there is noise present but no music. If there is any music at all present, then program will over-correct the noise and unpleasant artefacts are likely to be the result.

Exercise 2. Modifying the Noise Profile

With the file demo2.ape still loaded, select the command, Edit Noise Profile on the Waveform menu: Try It Now

The display will centre itself on the noise profile that was captured when the file was loaded. Adjust the vertical scale to make the waveform more conspicuous and click the play button to audition the profile. NB you will need to turn op the volume to hear the profile because it should only consist of background noise: Try It Now

Note how in the case of this demo file, the profile has clipped the start of the music. Although the profile mainly contains noise, there is a hint of the very first phrase of the music. This will cause the file to be over-corrected when the hiss filter is applied.

To correct this, drag the profile a little to the left. Re-audition to verify that now only noise is present: Try It Now

Click OK to confirm the changed profile. Try It Now

Having changed the profile you now need to re-apply the hiss filter. To do this, click on the Filter toolbar button

to launch the Filter Options window: Try It Now

Select 'Hiss' as the Filter type and leave its setting at the default 14dB. Then in Apply section, select 'Replace Existing'

and click the Apply button. Try It Now

The old filter will be removed and the new filter will be applied to the file.

Verify the improvement by auditioning the file like you did at the end of the previous exercise. Try It Now

 

Other Digital Filters

As well as the hiss filter, Wave Corrector also provides the following digital filters to enhance your recordings:

  • Hum Reduction: (20dB)
  • Rumble Reduction: (20dB)
  • Treble Control: -12, -8, -4, +4, +8, +12 dB
  • Graphic Equaliser: user defined equaliser/filter

Note, filtering is used for two complementary reasons:

  • To remove unwanted nose components
  • To correct the frequency response of the recording

The Hum Filter

Sometimes recordings are marred by power line hum. This is usually caused by incorrect grounding somewhere in your recording chain. By far the most effective way to deal with this is to remove it at source. Tutorial 1 gives some tips for reducing the incidence of power line hum.

Sometimes however, it is impossible to completely remove hum form your recordings. Or you may have a historic recording in your possession that is contaminate by hum. In these cases you can use Wave Corrector's hum filter to reduce the hum's amplitude.

The Rumble Filter

Rumble occurs when the mechanical motion of your record turntable is transferred to your pickup cartridge. This usually occurs when there is a mismatch between the compliance of the pickup arm and the pickup cartridge. Again it is best to to use matched components so that rumble does not occur. However, Wave Corrector's is very effective at reducing rumble if you find it necessary to do so.

The Treble Filter

The treble filter is provided mainly to correct cassette tape. Often there is a mismatch between the characteristics of a pre-recorded cassette tape and the player that it is played on. This will cause too much or too little treble being produced. The treble filter can be used to correct this problem.

The Graphic Equaliser

The graphic equaliser is the most versatile of Wave Corrector's filters. It can be used to correct the frequency response of a recording as well as to remove unwanted components.

One possible use of the graphic equaliser is to simulate the RIAA playback curve. An example of the curve is shown at the end of this section.

Another use is to remove an interfering tone. The demo file demo2a.ape has had an interfering tone superimosed on it to demonstrate this technique. Download this file to proceed with the tutorial.

Exercise 3. Removing an Interfering Tone

Before loading the file into Wave Corrector, set the Auto-Scan options as follows:


Now load the file demo2a.ape. Try It Now

Play the file from the beginning and notice that there is a high pitched tone that plays along with the music. We'll use Wave Corrector's grahic filter to remove this tone.

To do this, we first need to find the frequency of the tone. This is done using the Display Spectrum view. To enable this, stop the file playing and select the command from the View menu: Try It Now



The bottom Overview window now displays the audio spectrum of the waveform. To display the spectrum at different parts of the wave you can use the scroll bar. However, the interfering tone is most prominent at the start of the wave as shown above.

The tone is clearly visible as a peak in the spectrum. We need to read off the frequency of the tone at the frequency scale at the bottom of the display. From here, we can see that the tone is about 3.5 kHz.

The next step therefore is to create a notch filter centred on 3.5kHz. To do this, click on the Filters toolbar button and then select Graphic as the filter type and New/Edit to create a new filter: Try It Now





We need to create a v-shaped notch at the frequency we determined above (ie 3.5 kHz) The first step is to insert a point at about the wanted frequency. This is done by clicking with the left mouse button near where you want the point. A new point will appear as shown above. Try It Now

To create the v-shape we will also need a point on either side of the centre frequency. Again, we can create these points by clicking with the mouse. Try It Now

( Note, you can delete a point by clicking over it with the right mouse button.)

Having created the three points, we now need to position them accurately. Although the points can positioned by dragging them with the mouse, it is easier to use the cursor keys.



Use the left and right cursor keys to step between the points. The selected point will be highlighted in blue. Then having selected a point, hold down the Control key and use the left/right/up/down cursor keys to position the point accurately. Use the Freq.Level display just below the graph for accurate feedback. Step to each of the three points in turn and position them according to the image below: Try It Now

Now, save your graph by entering a name for it and clicking the Save button. Try It Now

This takes you back the Apply Filters window. Click Apply to complete the process. Try It Now

Finally, play the corrected wave to verify that the tone has indeed been removed.

 

 

RIAA Playback Filter using Graphic Filter

The RIAA playback curve is shown below.To generate this, create a new graphic filter and enter the points from the table. Note that many of the points are crowded together at the left hand end of the graph. Use the LF Expand button to make these easier to enter and display.

Frequency (kHz) Level (dB)
0 +20
0.09 +14
0.19 +9
0.28 +6
0.38 +4
0.47 +3
0.56 +2
0.75 +1
1.03 0
1.78 -2
2.72 -4
3.85 -6
4.98 -8
6.39 10
8.27 12
10.52 14
13.15 16
17.00 18
22.07 20

 

Correcting the Volume

Wave Corrector provides tools for correcting both the overall volume and also the relative volume of the left and right channels (channel balance).

Recording engineers normally adjust the volume of their recordings so that the peak signal level falls just below the maximum permitted by the recording medium. This ensures an optimum signal to noise ratio and maximum dynamic range. When you make a copy of such a recording, you should try to do the same. However, it is not always obvious exactly where the peak signal occurs. For this reason, we often leave a little headroom to allow for the incidence of an unexpected peak. In this case you may end up with a recording that is a little too quiet. In this case, you can use the normalise function to restore the volume to its optimum value.

Similarly, it is common for the left and right channels to be a little unbalanced. This can occur for example with a poorly balanced pick-up cartridge. The Channel Balance command allows you to correct this problem.

Select these commands via the Waveform Menu: